Jean-Louis Capezzali odwołał swój udział w konferencji ze względów zdrowotnych.
Jean-Louis Capezzali was born in Saint-Étienne, France. He first learned to play the piano, but then, at the age of 14, discovered the oboe as his instrument. He studied at the Schola Cantorum in Paris and at the Music University in Versailles, where he qualified as an oboe instructor. When he was 20, he became a solo oboist of the Concerts Lamoureux und, at 25, the first solo oboist of the Orchestre Philharmonique de Radio France. He won the International Competitions of 1982 in Geneva and of 1986 in Prague. After teaching at the Conservatorium in Geneva, he instructed at the Conservatoire National Supérieur de Musique et de Danse in Lyon, where he is also head of the wind instruments. He is also a professor at the Conservatorium in Lausanne. He offers master classes, including at the Pablo Casals Festival in Prades. As a soloist, he has played with famous orchestras in Europe, Asia, and the United States, where he represents the French Wind School.
Tom Owen was born in Sussex, England and studied in London and Hannover. He has given oboe master classes and recitals in the Central Conservatory Beijing, China Conservatory, Beijing, Shanghai Conservatory, the NRW Orchesterzentrum in Dortmund, the Royal Northern College of Music, the Royal Academy of Music, the Guildhall School of Music and Drama and the Musikhochschulen of Köln, Stuttgart, Detmold and Trossingen. He also gives a Masterclass every year in Atri, Italy in the festival „Duchi d`Acquaviva“. From 2017-2019 Tom was a member of the wind chamber music faculty at the Folkwang University Essen, and he regularly coaches the sectional wind rehearsals for various orchestras including the Schleswig Holstein Music Festival Orchestra Academy.
Tom is principal oboist of the Gürzenich Orchester, resident in the Cologne Philharmonie and Opera House. He also enjoys a busy career as guest Principal Oboist in many of Europe’s leading orchestras including the NDR, WDR, SWR and both Berlin radio orchestras, Camerata Salzburg, the Gewandhaus, Philharmonia, City of Birmingham and Bamberg symphony orchestras and the opera houses in Munich, Dresden, Frankfurt and Hamburg.
Tom has worked as a Soloist with many orchestras, including performances and recordings of both the Strauss and Mozart concertos with the Gürzenich Orchestra under conductors Francois Xavier Roth and Markus Stenz. In addition he has played recitals at the Royal Festival Hall and the Wigmore Hall, London. A passionate Chamber Musician, Tom is also a founder and was Vice Chairman of the Cologne Chamber Music Society "KammermusikKöln" for five years, supporting two busy Chamber Series’ in Cologne and Bonn. From these live concerts over 50 Chamber Music works are available to hear on Youtube. Tom has performed with the German Linos Ensemble and recorded with the Calamus Ensemble in addition to working with his own ensemble, the Cologne Chamber Soloists,
who recorded the first Gerald Finzi Chamber Music album under the "MDG" Label. He has performed in festivals all over the world and was named associate of the Royal Academy of Music (ARAM) in 2015.
Gotthard Odermatt was born in Lucerne and grew up in Zurich. He started taking piano and recorder lessons at an early age. As a child and during his teens he was a member of the Zurich Boys Choir (Zürcher Sängerknaben), during which time he performed as a treble soloist for three years. He sang, among other places, in the Tonhalle Zurich, Zurich Opera House, the Stadtcasino Basel and the Bern City Theatre, under such conductors as Carlos Kalmar and Nikolaus Harnoncourt. His concert tours abroad featured some particularly formative experiences, including performances in Puccini s "Tosca" at the Salzburg Festival with the Berlin Philharmonic conducted by Herbert von Karajan.
At the age of twelve, Gotthard Odermatt began learning the oboe. After completing school with his university entrance certificate (matura), he studied oboe at the School of Music in Zurich with Louise Pellerin and graduated with distinction in both teaching and orchestral diplomas. He won first prize at the Kiwanis Music Festival. He then went on to work as a freelance musician in various professional orchestras in Switzerland, including the orchestra of the Zurich Opera House, the Musikkollegium Winterthur and the Symphony Orchestra of St. Gallen. His work as a soloist included performances with the Zurich Chamber Orchestra. He graduated from his oboe studies at the School of Music in Zurich under Simon Fuchs with a performance diploma and studied orchestral conducting with Marc Kissoczy.
In addition to his appearances as a freelance oboist in various orchestras, Gotthard Odermatt also turns his talents to chamber music. He plays as an oboist in constellations ranging from duets to octets and has played in various chamber music groups, such as the "Banda Classica". He also continues to perform in the two chamber music groups founded by him, the "Ensemble Armonico" and the "Krommer-Bläserensemble" (wind ensemble). As a composer, Gotthard Odermatt first gained public recognition in 2004 with his "Wind Octet in D major, op. 15". It was also performed one year later by the Zurich Chamber Orchestra. This was followed in 2006 by his "Wind Quintet in E major, op. 16", and, in 2009, by "Time and the Hour, op. 17", for mixed choir and harp. The year 2010 saw the release on the DECCA label of a CD by Albrecht Mayer, principal oboist of the Berlin Philharmonic Orchestra, and the orchestra of the Academy of St. Martin in the Fields, which included the first image, "Summer", of the three-part work for solo oboe and orchestra "Three images for oboe and orchestra op. 18". In 2012, further premieres followed: in the Tonhalle Zurich, the "Concertino for Oboe d amore and strings, op. 19", also with Albrecht Mayer as soloist, and, in the Chamber Music Hall of the Berlin Philharmonic, the "Five Miniatures, op. 20" for solo bassoon, with Stefan Schweigert, principal bassoonist of the Berlin Philharmonic.
In 2013 Odermatt was commissioned by the Berlin Philharmonic Orchestra to compose a work, which was premiered by the 14 Berlin Philharmonic flautists in the Chamber Music Hall of the Berlin Philharmonic. This was the "Constellations Suite, op. 21". With this concert, the composer also made his conducting debut in Berlin. The work has been performed by various ensembles in several countries, including Switzerland and the United States, both in the original version for 14 flutes and in several arrangements for different instruments, made by the composer. The world premiere of the version for flute and harp took place in 2015 at the Lucerne Harp Festival. Sarah Rumer, solo flautist of the Orchestre de la Suisse Romande, was accompanied by Anne Bassand, teacher of the harp at the Lucerne School of Music The world premiere of the version for mixed ensemble took place in Switzerland in 2016 and was performed by Odermatt s very own "Krommer-Bläserensemble".
Also in 2016, the Hitzacker Music Festival formed the backdrop to the world premiere of the oboe concerto "the colours of water, op. 22b", an orchestral version of the eponymous oboe sonata first performed in 2014. Oboist Albrecht Mayer was accompanied by the Kammerakademie Potsdam. In 2017 additional premieres will take place in Switzerland with the Duo Praxedis and in Tokyo with Rie Koyama and Frédéric Lagarde. Various other instrumentalists, such as Andreas Blau, Pamela Stahel, Shanna Gutierrez, Michel Bellavance, Matthias Ziegler, Alexander Schmalcz, Markus Becker and Gàbor Boldoczki have previously performed works by Odermatt in different countries.
Born in 1961 in Hungary. Graduated from Franz Liszt Academy of Music in Budapest in 1984. He won many awards at international competitions (Ancona, Leipzig, Markneukirchen). He was solo flutist of the Hungarian Radio Symphony Orchestra 1981-1991 and at the Hungarian National Philharmonic Orchestra 2000-2006. He was the founder and director of Doppler Flute Institute at Budapest. At the moment he is a professor at Musikhochschule of Detmold, Germany and supervisor at Music Academy of Kragujevac, Serbia and guest professor at Karol Szymanowski Academy of Music in Katowice. As soloist he has performed in almost all European contries and also in the USA, Japan, Taiwan, Korea and Israel with partners like András Schiff,
Martha Algerich, Miklós Perényi, Zoltán Kocsis, Auréle Nicolet. He has recorded over 30 CD-s with Hungaroton, Capriccio and Naxos. Every year, he conducts 10-12 master classes all over the world. In 2008 he was awarded the highest Hungarian recognition for musical performance, the Franz Liszt-prize by the Ministry of Culture and Education of Hungary.
Andare Trio połączyła pasja do muzyki. Kluczem do sukcesu było i jest porozumienie – nie tylko w wymiarze artystycznym, ale także ludzkim i duchowym.
Nie bez przyczyny najlepsze zespoły kameralne są jak rodzina, grając latami, a nawet dekadami w niezmiennym składzie. Zestawienie oboju i fagotu, czyli instrumentów podwójnostroikowych o zbliżonej specyfice wydobycia dźwięku, ze szlachetnym dźwiękiem fortepianu wypełniającym harmonię i dynamikę konsoliduje brzmienie zespołu.
Takie połączenie instrumentów gwarantuje muzykom „pełną” swobodę wykonawczą,
a kompozytorom – niezwykłą heterogeniczność.
Owocem współpracy muzyków: Agaty Piotrowskiej-Bartoszek – obój, Doroty Cegielskiej – fagot oraz Tomasza Bartoszka – fortepian jest płyta wydana w grudniu 2020 roku przez renomowane wydawnictwo DUX.
Flaubinette to niecodzienne połączenie trzech instrumentów dętych drewnianych – fletu, oboju i klarnetu. Wirtuozeria i lekkość fletu, Bachowska śpiewność oboju oraz ciepła i głęboka barwa klarnetu składają się na niespotykane brzmienie zespołu. Tworzą go trzy pasjonatki muzyki – Kornelia Nowak, Lorena Mac oraz Jadwiga Czarkowska, które na co dzień, oprócz kreowania muzyki, prowadzą aktywną działalność naukowo-dydaktyczną. Ideą zespołu jest zainteresowanie słuchacza szeroko pojmowaną muzyką klasyczną. W repertuarze tria znajdziemy utwory takich kompozytorów jak: Ludwig van Beethoven, Camile Saint-Saens, Malcolm Arnold czy Darius Milhaud.